三位雄心勃勃的建筑師，他們在產品設計上發揮了自己的才能

三位雄心勃勃的建筑師，他們在產品設計上發揮了自己的才能

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從本質上講，建筑師是注重細節的人。他們被教導要考慮設計的每一個細節，在他們做出的每個決定中找到目的，并在他們創建的整個環境中實現無縫功能。正如 Mies van der Rohe 半個多世紀前所說的那樣，“上帝在細節中”，這句格言在今天仍然適用。當代建筑師對建筑的每一平方米進行設計、建模和渲染，深入了解每一層功能和美學，確保形狀、形式和結構相得益彰。

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建筑師和建筑之間的關系深深地交織在一起。通常，一個在設計和配置上反映另一個。設計師的價值觀和信念經常在結構的細微差別中變得明顯，在他們的作品中表現為一種可識別的風格。在具有強烈個性的建筑中，填充空間可能具有挑戰性，并且可能需要獨特的產品來保持設計的獨特性。多年來，為了支持他們的愿景，許多建筑師已經將雙手轉向產品設計的實踐；在這樣做的過程中，他們創造了一些世界上最具標志性和廣為人知的家具作品。以下是我們的最愛。

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麗娜·博·巴迪

Lina Bo Bardi 是一位出生于意大利的設計師，以改變她收養的故鄉巴西的景觀而聞名。她創新和大膽的建筑融合了現代主義和民粹主義，使她能夠創造出該國一些最知名的建筑。在她的時代之前，Bo Bardi 的作品以可持續和保護自然的設計理念為中心。

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她的圣保羅藝術博物館受到野獸派美學的影響。一座混凝土和玻璃塊由紅色的“腿”支撐，博物館懸掛在一個大型的、有遮蔽的公共廣場之上，反映了 Bo Bardi 將人類需求置于其設計中心的愿望。在內部，她發明了玻璃展示架，讓游客可以從各個角度觀看藝術品。

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1941 年，她被任命為 Quaderni di Domus 的編輯，這讓她接觸到了工業設計和工藝的復雜性。在此期間，她發展了她的家具設計實踐。Tres Pés 扶手椅被認為是最早通過家具對巴西文化的詮釋之一。使用掛在管狀金屬框架之間的織物和皮革將她的現代主義理想與巴西土著人民的傳統相結合。

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菲利普·斯塔克

作為全球超級巨星和 10,000 多種產品的創造者，迄今為止，出生于法國的 Philippe Starck 的設計組合是卓越的。作為航空工程師 Starck 的孩子，他的血管里流淌著創新。他對道德、社會意識和負責任的設計的決心在他的所有作品中都很明顯，這些作品努力以創造性和強大的方式尋找世界問題的解決方案。

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作為一名建筑師，菲利普·斯塔克 (Philippe Starck) 在他的第一個建筑壯舉中突出了他的獨創性。Nani Nani 是 1989 年引人注目的獨特例子。他對社會和經濟革命的決心促使他設計了各種重要的社區空間，并讓他有機會定義一些世界上最知名的酒店。Starck 的投資組合包括 The Royalton Hotel、The Paramount、The Delano、The Hudson Hotel、The Mondrian Hotel、The Sanderson、SLS 物業等等。

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Starck 改變了酒店業，他的愿景是為空間注入新的社會價值，激發和吸引大眾。為了完成他對和諧和有意識的設計的愿景，斯塔克親自在他的空間內設計了許多產品。他對它們的目的和實用性的關注常常使他涉足許多行業。他的許多作品現在都成為象征幽默和雄心的文化標志。

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帕特里夏·烏爾奇奧拉

Patricia Urquiola 在 Achille Castiglioni 手下接受過正式的建筑師培訓，是一位以人為本的設計師。她的每個項目都以最終用戶處于她決策的最前沿開始，并不知疲倦地融合人文、技術和社會設計方法，努力尋找解決方案。她對技術、經濟、政治、社會正義和可持續發展的豐富知識和好奇心影響了她的所有工作。她的作品遠非神秘莫測，而是與時代相關且與時俱進。

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在她對融合功能和美學的追求中，Urquiola 創造了美麗的環境，裝飾著美麗的物體。從建筑師到工業設計師的無縫過渡是她的創意抱負成功的關鍵。她的產品設計方法涵蓋過去、現在和未來，在每一個可能的轉折點上創造工藝和工業設計之間的聯系。Urquiola 和她的團隊盡可能地采用和接受新技術，但始終致力于尊重過去的傳統做法和形式，她的產品充滿了對其起源的有意義的參考。她的系列定期重新設計和更新，以滿足當代標準；無論是形狀還是完成，這些作品都將與它們所服務的社會一起發展。

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英文版

By nature, architects are detail-driven individuals. They are taught to consider every minute aspect of a design, to find purpose in each decision they make and to implement seamless function throughout the environments they create. As Mies van der Rohe put it over half a century ago, “God is in the details,” and this adage remains relevant in the present day. Contemporary architects design, model and render every square meter of a building, thoroughly understanding each layer of function and aesthetic, ensuring shape, form and structure complement each other harmoniously.

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The relationship between architect and building is deeply entwined. Often, one reflects the other in design and disposition. The values and convictions of the designer regularly become apparent in the nuances of the structure, expressed as a recognizable style across their oeuvre. In buildings with a strong sense of individual character, it can be challenging to populate the space and may it require unique products to retain the design’s distinctiveness. To support their vision, many architects have turned their hands to the practice of product design over the years; in doing so, they have created some of the most iconic and well-recognized furniture pieces in the world. The following are few of our favorites.

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Lina Bo Bardi

Lina Bo Bardi was an Italian-born designer best known for transforming the landscape of her adopted homeland Brazil. Her innovative and daring buildings merged modernism with populism, allowing her to create some of the most recognized buildings in the country. Ahead of her time, Bo Bardi’s work centered around a design philosophy of sustainably and preservation of nature.

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Her Museu de Arte de S?o Paulo was influenced by brutalist aesthetics. A concrete and glass block supported by imposing red “legs,” the museum is suspended above a large, sheltered public piazza, reflecting Bo Bardi’s desire to place human needs at the center of her designs. On the interior, she invented glass display easels, allowing visitors to view the artworks from all sides.

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In 1941 she was appointed editor of Quaderni di Domus which exposed her to the intricacies of industrial design and craftsmanship. During this time, she developed her furniture design practice. The Tres Pés Armchair is considered to be one of the first interpretations of Brazilian culture through furniture. The use of fabric and leather hung between the tubular metal framework combines her modernist ideal with the traditions of Brazil’s indigenous people.

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Philippe Starck

A global superstar and creator of over 10,000 products, to date, French-born Philippe Starck’s portfolio of design is transcendent. The child of an aeronautical engineer Starck has innovation running through his veins. His determination for ethical, socially conscious and responsible design is evident in all his works, which strive to find solutions to the problems of the world in creative and powerful ways.

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An architect by trade, Philippe Starck highlighted his originality in his first architectural feats. Nani Nani was an example of striking uniqueness in 1989. His resolve for social and economic revolution pushed him to design a variety of important community spaces and gave him the opportunity to define some of the most recognized hotels in the world. Starck’s portfolio consists of The Royalton Hotel, The Paramount, The Delano, The Hudson Hotel, The Mondrian Hotel, The Sanderson, SLS properties and many more.

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Starck changed the hotel industry with his vision of infusing spaces with new social values that inspire and engage the masses. To complete his vision for harmonious and conscious design, Starck has taken it upon himself to design many of the products within his spaces himself. His focus on their purpose and usefulness often leads him across many industries. Many of his pieces are now cultural icons that symbolize both humor and ambition.

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Patricia Urquiola

Formally trained as an architect under Achille Castiglioni, Patricia Urquiola is a human-centric designer. She starts each of her projects with the end-user at the forefront of her decision-making and works tirelessly to merge humanistic, technological and social design approaches in an effort to find solutions. Her vast knowledge and curiosity surrounding technology, economics, politics, social justice and sustainability inform all of her work. Far from being enigmatic, her work is relatable and in tune with its time.

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In her quest to merge function and aesthetics, Urquiola has created beautiful environments adorned with beautiful objects. Seamlessly transitioning from architect to industrial designer is the key to the success of her creative aspirations. Her approach to product design encompasses past, present and future, creating links between craftsmanship and industrial design at every possible turn. Urquiola and her team adopt and embrace new technologies wherever they can, yet always aim to respect the traditional practices and forms of the past, her products are imbued with meaningful references to their origins. Her collections are regularly reworked and updated to meet contemporary standards; be it shape or finish, the pieces will develop alongside the society they serve.

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